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Emmerich’s handling of gay characters was shaky, even in a film solely about gay characters, and he faced criticism for referring to his twinky lead as “straight-acting”, a phrase loathed by many for its suggestion that masculinity is a performed trait for gay men.
His low budget drama Stonewall, about the LGBT riots in 70s New York, emerged as one of 2015’s most universally loathed films. It wouldn’t be the first time that Emmerich has struggled in this field. Was the overly sanitised nature of their relationship the result of a tussle between Emmerich and Fox (who would have surely been thinking of the effect it would have on not only conservative American viewers but the stringent Chinese censors) or was the script always playing it overly safe?
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Now, I wasn’t expecting graphic gay sex in a film aimed at families, but the embarrassing Hays Code coyness of it all meant that one could still watch the film and just see them as really good friends. I even started to find sexual tension between the aforementioned warlord and a geeky accountant given the repeated alien-killing references of “getting them in the back”. Any reference was entirely absent from all publicity materials and as the film progressed, I was struggling to define any of the relationships as gay. But we’re not there yet.”Īs I sat down to watch Independence Day: Resurgence, I started to wonder whether the couple had even made it through to the final edit. You start small and then you get bigger and bigger and bigger, and one day you have a gay character as the lead and nobody will wonder at it no more. We have a gay couple in the film,” he told the Hollywood Reporter in 2015. When openly gay director Roland Emmerich talked up the sequel to his 1996 alien invasion hit, he remarked that we would see a same-sex relationship on screen, a distinct rarity in the world of the Hollywood blockbuster.
Well, there’s a rather major difference between the couple in question and every other couple in the film or, in fact, any other blockbuster this summer. Why? In a film that offers up bland hotties Liam Hemsworth and Maika Monroe in many a clinch, why are we deprived tenderness after such a momentous reunion?
The scene is set for a romantic embrace, a passionate kiss two decades in the making but. But the scene that emerges as the real head-scratcher takes place in a hospital room as a man awakes from a 20-year coma to the shock of his long-term partner.